<i> Easyjet: tre film berlinesi sulla musica techno</i>

Abstract

Starting from a historical-sociologic background which authenticates the proportions of the Techno phenomenon on the Berlin stage, the essay analyzes three German movies of the last decade, two documentaries and a fiction movie, which narrate according to different ways some of the typological characteristics of the Techno universe: time and space suspension, the role of sex, drugs consumption, music.