Theatrum orbis miraculum. <i>G.B. Aleotti tra teorie e prassi teatrali</i>

Autori

  • Domenico Giuseppe Lipani

DOI:

https://doi.org/10.15160/1826-803X/2243

Abstract

The paper focuses on some strategies of composition in Aleotti’s theatre by analysing ideological context and working practices. The examples drawn from “Nozze Pio-Farnese” in 1587 and Aleotti’s tournaments in 1610 and 1612 outline a stage language that shaped the Farnese theatre.

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Pubblicato

01-07-2020

Fascicolo

Sezione

Rinascimento argentano. Arti, architettura, storia, archeologia