<i>Il doppio riconoscimento dell'</i> Ifigenia in Tauride <i>(vv. 467-901) e la relativa valutazione aristotelica</i>

Authors

  • Giacomo Belli

DOI:

https://doi.org/10.15160/1826-803X/214

Abstract

The dramaturgical analysis of the dual recognition scene performed in Euripides’ IT shows a contradiction in the Aristotle’s Poetic chapter which classifies different types of recognition

Issue

Section

Teatro